A writer’s tribute to the surprising sights and comforting rhythms of Hennur Road in Bangalore.
The essay attempts to position ‘kantha’ as an art object and to trace the trajectory of textile artisans, whose voices and art have both been left outside the paradigm of art historical intervention.
Uncovering the significance of materials in Shanthamani M.’s body of work through an exclusive conversation with the artist.
As I gazed at M.V. Dhurandhar’s sketch of a mother oiling her child’s hair, I found my mother gazing back at me. I was transported back to winter afternoons when my mother and I would sit on our terrace, oiling and braiding our hair; when we found leisure not in solitude but in each other’s presence.
A tribute to those from whom we learn about the journey of life, as we navigate our way through the pathways of Santiniketan.
“It stayed there for months, reminding me both of that memorable Delhi sojourn and the incredible storytelling power of photography. It was the first time that a photograph had held me in so much thrall.”
A writer seeks to uncover the history and emotional experiences of her family, community and nation, through the works of Chittaprosad.
Here’s a glimpse at the leading artists of the country and their artworks that hold the record of being the most expensive paintings to have been sold in the history of Indian art.
Packing and wrapping what we eat is deeply tied with our souls and leaves have a way of keeping that fragrance alive.
