Living Spaces: Atul Dodiya and Asim Waqif in Conversation

Living Spaces: Atul Dodiya and Asim Waqif in Conversation

Although unique in their approach, material and process, their predilection to constantly engage with and represent the living spaces and built environment they inhabit in their artworks ties the two artists, Atul Dodiya and Asim Waqif, together.

Krittika Kumari

 

“Our cities are chaotic…out of chaos in the city and chaos within a person’s mind, I think it is art that saves me; it gives me discipline and gives me a playful, divine experience.”

– Atul Dodiya

As part of its ongoing theme of Art (is) Life, MAP brought together two acclaimed contemporary artists, Atul Dodiya and Asim Waqif, over the weekend for a casual conversation moderated by the Museum’s associate curator, Arnika Ahldag. Although unique in their approach, material and process, their predilection to constantly engage with and represent the living spaces and built environment they inhabit in their artworks ties the two artists together.

For Dodiya, the process differs for each of his mediums: working on his shutters series, for example, required him to take on a more collaborative approach wherein he had to work with metalworkers and art assistants. On the other hand, while creating an oil painting or dabbling in watercolours, the artist requires complete isolation, as he believes the medium demands it. In comparison, Waqif’s process of creating works that are experiments with ecological structures, sustainable architecture and design, is almost entirely collaborative. For Waqif, the primary aim is to bridge the communication disconnect between the designer, creator and user, by involving all three during his creative process. Remarking further on the durability of working in such a manner, the artist said, “It’s a little more intense process, it requires more trust and there is a higher chance of failure, but it is more fun.”

The conversation between the two artists also elaborated upon each of their influences, the chaos of the city, and the role of living, urban spaces in their artworks. Waqif’s chaos is clearly represented in his structures and is meant to be reflective of our country’s socio-economic and built environment today. However, his influences are rooted not only in the built environment, but also in the materials that are available to him while he is working in specific locations, such as Kolkata or Bangladesh.

Dodiya’s artworks, on the other hand, focus more on everyday life and are driven by the stories of people who inhabit spaces, particularly in the urban metropolis. His body of work references a flurry of influences, from the art and theory of Italy in the 14th-15th centuries or France in the 19th century; to European and Indian cinema, and particularly filmmakers such as Satyajit Ray; and even the works of Indian modern masters, and fellow artists. Through the course of the conversation, Dodiya reminisced his time as a student at the J.J. School of Art in Mumbai, and his meetings with the senior masters, such as Tyeb Mehta, Akbar Padamsee, and Prabhakar Barwe. Needless to say, the memories of these interactions play a pivotal role in the artist’s process and inspiration even today.

The full conversation is available for streaming on MAP’s website. Watch it here!

blog-sidebar-add

Imagining the Museum

Launching a brand new talk series, Director’s Cut, MAP brought together museum and cultural leaders from across the world to discuss the future of museums and the reimagining of cultural institutions today.

Krittika Kumari

Conservation: Now and the Future

The role of conservators, especially those working primarily with museum collections, goes beyond mere physical maintenance or restoration of the artworks. To touch upon the importance of the profession and its current state around the globe, MAP brought together four experts in a riveting panel discussion as part of the Museum Webinar series.

Krittika Kumari

Features, Essays, Blog posts and more from MAP

Explore the world of art and photography at MAP
Imagining the Museum

Imagining the Museum

Launching a brand new talk series, Director’s Cut, MAP brought together museum and cultural leaders from across the world to discuss the future of museums and the reimagining of cultural institutions today.

Krittika Kumari
Conservation: Now and the Future

Conservation: Now and the Future

The role of conservators, especially those working primarily with museum collections, goes beyond mere physical maintenance or restoration of the artworks. To touch upon the importance of the profession and its current state around the globe, MAP brought together four experts in a riveting panel discussion as part of the Museum Webinar series.

Krittika Kumari
The Wonder of Islamic Art

The Wonder of Islamic Art

Navina Haider’s comprehensive lecture allowed viewers to journey through centuries of Islamic art, all the while elaborating on how Islam has absorbed from the world, especially in its intellectual traditions, and how the world sees Islam.

Krittika Kumari
What Is New Media?

What Is New Media?

Traditionally when we think of art we think of paintings, sculptures, oils, drawings, charcoals, screen-printing, and more recently photography. So what really is ‘new media’ art?

Girinandini Singh