Grafted Arts
Art Making and Taking in the Struggle for Western India,...
Amid a global health crisis and increasing divisions across communities and nations, we are collectively facing new and urgent questions on what it means to think and act on a transnational, planetary level while also being firmly rooted and committed to the local.
In this talk, Dr. Sook-Kyung Lee (Senior Curator, International Art, Tate Modern) shares how the Tate’s Hyundai Tate Research Centre: Transnational (HTRC:T) engenders curatorial questioning of the geopolitics of global art histories, as well the museum’s collections in a decolonial context.
Over the last two decades following the establishment of Tate Modern, Tate’s collection has grown in its cultural and geographic scope to present a more global art history to its audiences.
The HTRC:T was founded in 2019 as a hub for museum-based curatorial and art historical research, where the phenomenon of ‘transnational’ runs as a continuum to examine, review and reframe art histories and curatorial methods.
This Deep Dive is supported by Sonata Software.
Thomas P. Campbell in conversation with Kamini Sawhney.
A co-creative workshop at the intersection of art and media literacy.
Artists Rajyashri Goody and Sri Vamsi Matta in conversation.
An evening of poetry and conversations around the diverse and fluid nature of identities.
Annette Bhagwati in conversation with Kamini Sawhney.
Art Making and Taking in the Struggle for Western India, 1760-1910.
Illuminating the impact of the Partition on artists and art practices in India and Pakistan.
A conversation between author Aanchal Malhotra and Priyanka Seshadri exploring the legacy of Partition.
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