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TZID:Asia/Kolkata
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UID:680@map-india.org
DTSTART;TZID=Asia/Kolkata:20250104T170000
DTEND;TZID=Asia/Kolkata:20250104T180000
DTSTAMP:20241230T065353Z
URL:https://map-india.org/map-events/surveilling-a-crime-scene/
SUMMARY:Surveilling a Crime Scene
DESCRIPTION:Join us for a screening of Alana Hunt’s film Surveilling a Cr
 ime Scene\, followed by the artist in conversation with filmmaker Yashaswi
 ni Raghunandan.\n\nShot on Super 8mm film\, Alana Hunt’s Surveilling a C
 rime Scene (2023) examines the materialisation of non-Indigenous life on M
 iriwoong Country—through the town of Kununurra and its surrounds\, in th
 e remote north-west of current-day Australia. The film aligns and overlays
  what may otherwise seem like discontinuous domains—a dam\, tourism\, a 
 historical monument\, agriculture\, a police station\, cigarette burns\, a
 nd bureaucratic forms—to produce a silhouette of tools\, techniques\, an
 d procedures of power and oppression. Surveilling a Crime Scene delivers a
  gentle yet powerful tapestry of evidence that recognises colonisation not
  as history but as a continuous and present violence\, one that is decepti
 vely ordinary.\n\nAlana’s work is driven by lived experiences and honed 
 through a forensic approach to research. It is shaped by relationships and
  often materialises through video\, printed matter\, photography\, publish
 ing\, public events and illicit interventions. Formed by over a decade of 
 life on Gija and Miriwoong Countries in north-west Australia\, Alana’s w
 ork in Australia examines contemporary colonial culture\, scratching at th
 ings not commonly recognised as colonial or violent but deeply so—touris
 m and leisure\, development\, legislation\, and home.\n\nBeyond Australia\
 , Alana's work in South Asia includes the iterative memorial Cups of nun c
 hai (2010-20) published by Yaarbal Books (2020) and Paper txt msgs from Ka
 shmir (2009-11).\n\nFollowing the screening\, Alana will be in conversatio
 n with filmmaker Yashaswini Raghunandan about the making of the film and t
 he contents of her practice at large.\n\n(Credit line: Still from Surveill
 ing a Crime Scene\, Image Courtesy: Alana Hunt)
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